I've recently begun to have second thoughts about the stated purpose of pronounced WOO-BIN. While there is a certain nobility to recording and presenting a slowly vanishing accent for posterity, I have the nagging feeling I ought to be doing more. Instead of taking notes as a historic indicator of regional identity fades into the long night, perhaps I should take a more proactive stance.
Perhaps I should move from passive archivism to active evangelism. It would be a Sisyphean task, to be sure. I harbor no illusions about its chance of success, yet if it holds back the rhotic tide of accent-neutral blandness for a few extra moments it would be victory enough.
All I require is a suitable vector for my plans, and I believe I have found it -- the audiobook format. What better way to proselytise than under the guise of passive entertainment? And what better way to reach a massive audience than by taking advantage of the huge market for quasi-softcore vampire fiction?
I am fortunate to have connections in the scene. The renowned Christopher J. Sims, whose Solomon Stone series is easily the gold standard of the vampire-fiction-written-by-comics-blogger subgenre (not that his competitors have set a high bar in that regard), courteously granted me permission to use an excerpt from his magnum opus for my test run.
Stone Me Deadly
-------------------
On a less megalomaniacal front, pal Thirdmate of the HMS Impossible has started up The Old Swampers' Almanac, a new blog dedicated to the lore and custom of the wild, wooly, and oh-so-historic South Coast of Massachusetts. Check it out.
Showing posts with label mission statement. Show all posts
Showing posts with label mission statement. Show all posts
Friday, October 3, 2008
Wednesday, September 24, 2008
Threat or Menace?
If you follow my other blog on a regular basis, you might have noticed that I tend to make a lot of references, directly or indirectly, to comic books. With pronounced WOO-BIN, my intentions were to adhere to a clearly defined focus -- regional matters, provincial observations, and, of course, my occasionally impenetrable Boston accent -- instead of the stream of consciousness meanderings that characterize Armagideon Time.Comics, an easy fallback topic and frequent crutch, were not to be featured here unless they were specifically germane to the subject at hand...such as fulfilling a request by one Michael Sterling of Ventura County, California. "Mikester" asked to hear my dulcet tones applied to the opening captions of 1990's Spider-Man #1, the Todd McFarlane production that proved that being a fan-favorite artist is no substitution for actual writing skills.
Comics fans being comics fans, however, the comic sold a shitload of copies and played no small part in instigating the "hot" artist-driven boom (and catastrophic bust) cycle of the 1990s comics market. "ADVANTAGEOUS," indeed.
So here you go, my dramatic recitation of Todd McFarlane's unforgettable contribution to literature....
Advantageous!
...and if my slapdash effort fails to sate your appetite, here's a Kevin Church remix that oozes with the kind of ambiance that you just don't get with a Karaoke Revolution pack-in USB headset and a freeware audio editing program.
Advantageous Remix!
Kevin also put his unparalled talents to use in whipping up this rave-tastic repurposing of my inaugural audio sample.
Gee Scarlett (Remix)
I couldn't ask for better internet friends.
Sunday, September 14, 2008
The Wikkid Truth
If you have been following my other ongoing project for any length of time, you've probably noticed that I have a strong sense of regional pride -- for Massachusetts, for Boston, and especially for Woburn, the middle-ring suburb that sits ten miles northwest of the Hub, astride the interchange between I-93 and I-95.
My pride isn't a matter of blind parochial chauvinism born of sports rivalries and narrow-focus bias. I'm well aware of the faults and follies of the region and its residents, but despite the occasional (okay, frequent) bouts of teeth-gnashing and directed torrents of profanity, I find those idiosyncracies to be part of the total endearing package. We're an impatient breed of inveterate complainers who stick it out today for the sake of finding something else to complain about tomorrow. Taxes, bad roads, local politics, the fortunes of the various home teams -- we are spoiled with objects of potential ire.
Yet despite the inferiority complexes and grousing, I wouldn't leave this place if you paid me. I'll take a nonsensical tangle of streets based on 17th century cowpaths or a treacherous rotary over a neatly laid out road grid any day. We don't need logic or transparency. We've got character born of nearly four centuries of history.
...and that brings us to the subject of the Boston accent, oft imitated (and mocked) by outsiders, but rarely duplicated successfully by the same. Rooted in Colonial Era English and filtered through the various immigrant groups (especially the Irish) that settled in the area, it is more than just a broad impersonation of Kennedy-speak (and honestly, only the Kennedys talk that way) or a vaguely Brooklynese patois featuring dropped r's and liberal use of "wikkid." It is a creature unto itself, my native tongue, and the most obvious manifestation (next to aggressive driving habits) of our shared sense of regional identity.
Which is why it pains me when I hear my nieces and nephews speak in the generic accent of Nickelodeon sitcom characters. Within the space of a generation, the global media village has made massive in-roads in panel-beating regional speech patterns into flat neutrality. While previous incursions by exotic dialects into the region, like the 80's "val-speak" fad, have been handily assimilated into the local accent ("Oh my Gawd, he bahfed in the back of my cah!"), this new strain, aided by the decline of regionally-based media, has been steadily supplanting the native one.
"Are you cutting keer-its?" Maura's nice asked her recently. "No, I'm cutting kah-its," was Maura's reply.
I accept that one man swinging a rusty sword will not hold back the incursion. What I can do is present to you, my dear readers, a sampling of audio clips spotlighting the glories of the Boston accent as applied to a variety of material, and offer it to you every Monday, Wednesday, and Friday. So feel free to email me any requests for things that you wish to hear rendered in the language of bean and cod.
Our inaugural clip comes courtesy of a suggestion by a Mr. Christopher Sims of South Carolina, whose unhealthy fascination with (and hysterical laughter over) my pronuciation of "Star Wars" livened up many an XBL multiplayer session and was the true inspiration for this project. The context behind the choice of material can be found here.
Gee, Scarlet!
Short, sweet, and right to the point. See you on Wednesday!
My pride isn't a matter of blind parochial chauvinism born of sports rivalries and narrow-focus bias. I'm well aware of the faults and follies of the region and its residents, but despite the occasional (okay, frequent) bouts of teeth-gnashing and directed torrents of profanity, I find those idiosyncracies to be part of the total endearing package. We're an impatient breed of inveterate complainers who stick it out today for the sake of finding something else to complain about tomorrow. Taxes, bad roads, local politics, the fortunes of the various home teams -- we are spoiled with objects of potential ire.
Yet despite the inferiority complexes and grousing, I wouldn't leave this place if you paid me. I'll take a nonsensical tangle of streets based on 17th century cowpaths or a treacherous rotary over a neatly laid out road grid any day. We don't need logic or transparency. We've got character born of nearly four centuries of history.
...and that brings us to the subject of the Boston accent, oft imitated (and mocked) by outsiders, but rarely duplicated successfully by the same. Rooted in Colonial Era English and filtered through the various immigrant groups (especially the Irish) that settled in the area, it is more than just a broad impersonation of Kennedy-speak (and honestly, only the Kennedys talk that way) or a vaguely Brooklynese patois featuring dropped r's and liberal use of "wikkid." It is a creature unto itself, my native tongue, and the most obvious manifestation (next to aggressive driving habits) of our shared sense of regional identity.
Which is why it pains me when I hear my nieces and nephews speak in the generic accent of Nickelodeon sitcom characters. Within the space of a generation, the global media village has made massive in-roads in panel-beating regional speech patterns into flat neutrality. While previous incursions by exotic dialects into the region, like the 80's "val-speak" fad, have been handily assimilated into the local accent ("Oh my Gawd, he bahfed in the back of my cah!"), this new strain, aided by the decline of regionally-based media, has been steadily supplanting the native one.
"Are you cutting keer-its?" Maura's nice asked her recently. "No, I'm cutting kah-its," was Maura's reply.
I accept that one man swinging a rusty sword will not hold back the incursion. What I can do is present to you, my dear readers, a sampling of audio clips spotlighting the glories of the Boston accent as applied to a variety of material, and offer it to you every Monday, Wednesday, and Friday. So feel free to email me any requests for things that you wish to hear rendered in the language of bean and cod.
Our inaugural clip comes courtesy of a suggestion by a Mr. Christopher Sims of South Carolina, whose unhealthy fascination with (and hysterical laughter over) my pronuciation of "Star Wars" livened up many an XBL multiplayer session and was the true inspiration for this project. The context behind the choice of material can be found here.
Gee, Scarlet!
Short, sweet, and right to the point. See you on Wednesday!
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